Jersey Binding Tutorial

Finishing edges with jersey...

This post shows two uses for the Jersey Folded Binding which is available in the shop in a variety of colours. 
 
This is a great way to neatly finish the edges of garments made from stable knit fabrics, or could also be used to bind craft projects such as quilts in the same way as woven binding. It has a slight stretch but wouldn’t be suitable for very stretchy jersey fabrics or on areas of a garment which need to stretch a lot, such as tight neck openings.
 
The first way I used this binding was to finish the neck of a dress I made for my Christmas party. It had a high front neck but low back so didn’t need to stretch for me to get it on and off.
To start with, sew your garment as you normally would; you can do this step at the end or once the should seams have been sewn together, before constructing the rest of the garment.
 
Measure your neck opening and cut a piece of binding slightly longer than the opening. Mine overlapped by a few inches.
 
Pin or clip the binding to the outside of your garment with right sides together and edges aligned. Don’t stretch the binding at all while you do this or it’ll be too tight to turn under! I used wonder clips to attach it as I prefer them to pins. Trust me, if you get some you won’t regret it!
 
 
 

Using a narrow zigzag stitch or other stretch stitch, sew along the fold closest to the edge of the fabric. You could overlock this but it would add some bulk under the binding. Leave an inch or two of loose binding at the start and sew all the way around until you meet your stitching again. Backstitch or tie off ends to secure.

 

Bring your two loose ends right sides together and sew along the width of the binding where your stitching ends. I used a straight stitch here to help it lie flat when finished. Trim the excess fabric and press open.

Turn the binding to the wrong side and tuck under the other folded side of the binding. Press to help it lie flat and clip or pin to secure. 

Go back to your machine and stitch down using a zigzag, stretch stitch or twin needle. Backstitch or tie off your ends to secure and you’re done!

The other way I used this binding was to hem a dress. It had ended up a bit short and I wanted to avoid losing any more length by turning up and sewing so I used the binding and it worked really well.
 
Once again, measure the length of the hem and cut a piece of binding slightly longer. Pin or clip it right sides together with edges aligned, leaving an inch or two loose on either end. Don’t stretch the binding at all or it won’t turn under easily! (Ask me how I know this 😛 )

Sew using a zigzag, stretch stitch or overlocker, starting an inch or two from the end of the binding, and sew all the way around until you meet your stitching again. Backstitch or tie off your ends to secure.

With right sides together, sew across the width of the binding. Trim the excess and press open.
 

Turn the binding to the wrong side, press then clip or pin. Stitch using a zigzag, stretch stitch or twin needle.

Ta da! This is a really nice, neat way to do a hem but not one I’ve tried before so I’m glad it worked well. (Obviously black binding would have been better than navy but no one will notice 😀 )
 
I hope this is useful and gives you an idea of how you can finish your knit projects in a slightly different way! See you soon for another post!

Bubble satin review

Satin blouse project

Hey everyone, I’m so pleased to be back on the Samantha Claridge studio blog today.

I’m delighted to tell you all about this beautiful satin!

I’ve owned the Named clothing, book “Breaking the pattern” for a while and really like the Sade blouse pattern. When I saw this fabric on the website, I was very keen to make a version of the Sade with it.

I must admit I did have some reservations before I ordered this from Sammy. I have worked before with super slippery fabrics, and was a little concerned that this would be one of those.

                                                                                                                                                         

Sammy is always happy to send swatches of fabric out, she’s very passionate about the fabrics she sells and is very keen to make sure her bloggers and customers alike are happy with their fabric choices. So quickly she popped a piece of this in the post to me.

As you can see, I wasn’t put off, after I’d seen and handled it. In fact, quite the opposite, I basically had to have this in my wardrobe!

It cut and sewed beautifully. I put the basic principles into practise. I used a new rotary cutter blade and cut the pieces singly. It cut just fine and didn’t slip over itself at all, I think the “bubble” texture actually made it grip to itself, not slip around at all and when I sewed it, it behaved really well too.

I used a fine point needle and pinned in the seam allowances.

 The quality is divine, so soft and drapey its delightful against my skin.

The fabric feels like luxury itself; I cannot believe the quality of this for its price tag, for a very reasonably priced fabric the quality, colour and feel of this bubble satin is mind blowing. I absolutely love my Sade blouse but if I’d not made this, the satin would have been gorgeous made up into a beautiful dress or luxurious night attire (think luxury robe or slip) or lingerie (so sexy)!

 

So that’s all from me for now, till next time keep chatting and stitching, Carol 😊

Clementine skirt!

Carol's star wardrobe basic...

Hey, you guys I’m back on the Samantha Claridge Studio Blog today to talk to you all about this lovely cord!

It’s so soft, and lovely to touch and wear. I’ve made the Clementine “Made in Denim” skirt before but really wanted to make one in this olive-green cord (olive green now out of stock). It’s super soft and has a great stretch. This is due to its 3% spandex content; this means it’s really easy to wear and doesn’t get stretched out when you sit down in it for a while.

As usual I prewashed my fabric and line dried before I began, it washed and pressed beautifully.

It’s a great idea to lay a second section of cord face down on top of the garment sections whilst pressing, this stops the nap being flattened. Also be mindful when using cord to make sure that all your pattern pieces are cut in the same direction due to the nap of the fabric.

I really wanted to personalise the top stitching with this make and drafted a little motif which I’d love to share with you.

I free hand copied my sewing shears onto paper, which I then cut out and stuck to my pocket with 505 spray.

Then I stitched around the template with top stitch thread in a contrast colour.

I tried two different colours out, a dark grey which I really liked (but I was a little concerned that might be a bit too understated) then a second one in a lovely rust colour. But when I compared them both together, I reverted back to my original choice.

That was it, decision made, and I completed the rest of the top stitching in that colour. The cord made up beautifully and I chose to make my skirt up at just below knee length. I think this is going to be perfect through the winter with some cosy tights and boots. 

If I’d not chosen to make my corduroy into a classic jean skirt, I think it would be gorgeous made into some dungarees or trousers, maybe the Ash or Ginger jeans, or even children’s wear. It is certainly soft enough for the most delicate of skin!

 That’s all for now till next time keep chatting and stitching Carol 😊  

Cosy Winterwear…

My snuggly Southbank Sweater Dress

Hey there again!

Hope you’re all getting plenty of sewing time in.

The weather has took a sudden drop in temperature up here and we are having some heavy frost and lots of threats of the dreaded white stuff! I’m not looking forward to that let me tell you! With this in mind I decided that I needed to update my wardrobe and make some more snuggly Southbank Sweater Dresses as they’re so easy and comfortable to wear and fabric dependent can easily be dressed up or dressed down. I have made this pattern a few times before however it was a couple of years ago now and they have been, well, let’s just say well loved, so I was due a few more worthy of going out in public! I had to make a smaller size this time as my previous versions were 2 sizes bigger. The only thing I’d forgot to note anywhere on my records was that I’d  lengthened the skirt on those which meant I got quite a surprise to find that this one was much shorter!! Once the hem band was on I didn’t think it was that indecent so left it as it was. Had it been much too short I would have just used the pattern piece and made a deeper band.

As soon as I spotted this leopard print on Sammy’s website I knew it’d make the perfect outfit for all
occasions. I have used Ponte before however this one is so much softer than ones I’ve previously
used. It’s a beautifully soft ponte roma and despite my efforts to capture the exact colour I just
cannot get the colour to come through true on a photograph. It’s not your usual brown/beige tones
it’s more of a grey/blue/green. It is a really beautiful colour.

As usual I prewashed the fabric as soon as it arrived and it washed and dried beautifully needing minimal pressing.
For anyone who hasn’t made this popular pattern (although I’m not sure that there’s many people left out there who haven’t) it comes together very quickly and I completed all of this on my Babylock overlocker. I think all in all from cutting out the fabric to finishing the dress it was only a couple of
hours.

I’ve worn this dress out a couple of times now and had so many compliments and people “stroking” as they can’t believe how soft it is.

I am definitely not done with this pattern yet and have already spotted a couple more fabrics on Sammy’s website that I have my eye on for more Southbanks. I may even leave off the neck band for mething a little different too. I think the fabric would make a fab little cardigan too if you’re not a fan of the sweater dress.

If you’ve got this far, thanks for stopping by and I hope you’ve enjoyed reading!

Until next time, happy sewing!

Lisa
@sewlastminutelisa

Gingham dreams!

Vintage style ruffle dress project...

 
I have been dreaming of giant gingham for a long time. I’m not sure what started it but I thought it would be a super cute dress when I found the perfect fabric. When I saw this fabric on Samantha Claridge online I knew it was for me, but I NEVER sew dull fabrics especially not black fabrics! After I wrestled with myself a little while I settle on the black and white gingham because I thought I could spice it up a bit with the pattern I used.

I planned on making the Jennifer Lauren handmade Mayberry dress so thought I would use awesome big buttons, but when the fabric arrived I knew I had to reconsider. The fabric arrived with a much thicker texture than I was expecting. It’s got a lovely linen feel to it but with a bit most structure, and less wrinkles too! I thought I would find a dress with a big full skirt and make something really vintage but with the checks being directional I wasn’t sure how that would make my shape look.

Then I saw the Alice & co free pattern in partnership with the V&A. It’s a pattern based on one of Mary Quants dresses to celebrate the exhibition on at the moment at the V&A. The fabric was perfect for the ruffles making them stand up around the neck and fluff out at the elbows, so I made a decision!

This project has almost turned into a zero waste one too! I cut out all my pieces and realised I didn’t have enough fabric to make the skirt three times the width so only made it twice. The only fabric I had left was a small section big enough for pockets, maybe on this dress in the future!

 

The checks made making the pleats super easy as I just used the squares as reference folding the over neatly. I’ve never pleated so much before, and the instructions tell you how to use a form to measure your pleats, which sounded terrifying so I was glad I had the squares already there to use. I had to top stitch the sleeve ruffles down as they were so fluffy they were flouncing in the wrong direction but I think that says more about my elbows than the fabric..! ha!

This fabric is super easy to wash and wear too as I was worried the linen feel would leave it wrinkly. Luckily I washed it and just hug it to dry and didn’t have to do any more to it. The pleats stayed lovely and the bodice didn’t crease so it’s perfect for perhaps packing in a bag or wearing all day and still looking smart at the end of the day!

 

I recently wore this dress to our new nephews christening, and I got lots of compliments. The wrap over front is very flattering on me and the smallest part of the waist hits me just at the right point. I didn’t make any adjustments to the pattern and just made it as it was which was perfect for me. It has a fully lines bodice too, which made it feel even fancier, but helped it come together surprisingly easily!

 

Whilst this dress isn’t the vintage era I’d normally gravitate towards (normally 40’s and 50’s) I think it was a perfect pairing to this fabric and made me a lovely outfit for the christening which I can now wear again and again to the office and know I’ll be smart and comfy!

An Autumn Tunic

Kathrine's Autumn tunic

As soon as I saw this gorgeous jersey on Samantha’s site, I knew I had to make something from it. I toyed with various ideas but finally decided on a tunic for Autumn. I like the Tilly and the Buttons Coco but really wanted a straighter silhouette, I also like the details of the Coco Wawa Chestnut but find the shape a bit boxy.

I decided to try this pattern which came free with one of the sewing magazines as I wanted a simple shape to allow the fabric to take centre stage. Sam found me some lovely copper ribbon to tone with the bees and the detail on the flowers.

I decided on view C which has a longer back than front, but I lengthened the sleeves as my arms are always cold in autumn/winter!

The pattern came together easily, the only alteration I made was to shorten the back slightly so that there is less of a difference between the back and the front. I used my overlocker for main seams and my regular machine for hems, bias binding and top stitching. The fabric is soft to touch but holds its shape and doesn’t stretch out at all. 

I cut the back with a centre back seam as I wanted to incorporate a tie detail at the top. I love the way the copper ribbon looks against the fabric. 

I have tried the tunic on with several garments; jeans, navy trousers, culottes, a short denim skirt and a longer pencil skirt. I think it’s going to get a lot of wear as the weather gets cooler.